ORCHESTRA OF EXPLOITATION

A score built from lived experience.
A sound of dissonance, resistance, and resonance.
From fragmented voices to collective resonance.
From control to sonic resistance.
This one-night performance brings together an experimental orchestra composed of musicians and participants, unfolding as a collective sonic body.

with
Marc Weiser
Katharina Bévand
Bojana Knežević / Boa Béres
& Guests

The orchestra unfolds as an improvising organism — echoing structures of control while breaking them apart through collective sound.
Inspired by the idea of the panopticon (Michel Foucault), where surveillance becomes internalized, this performance asks:
What happens when silenced voices become audible?
When does dissonance become collective?

The performance is open for participation.

Some materials and performative elements emerge as a continuation of New Operas of Abuse — a participatory FLINTA gathering and performance on the 30th of April at Liebig 12, initiated by Bojana (S) Knežević — carrying voices, fragments, and testimonies into a shared space of listening and transformation.
You are invited to enter, contribute, listen, or resonate.