Fr, 27/03/2020, 20:00 Uhr
Konzert

Resonanz


MaerzMusik

The Parochialkirche – Berlin’s oldest Protestant church –
is the impressive setting of this three-part concert. In its beginning, Erwan Keravec (1974) opens new dimensions to the ancient instrument of the bagpipes. Heiner Goebbels (1952), Philip Glass (1937) and Éliane Radigue (1932) have sounded out what this seemingly traditional instrument can do: astonishing sounds and textures that form a bridge between immemorial sonic recollection and contemporary expression. The night continues with Myriam Van Imschoot’s (1969) collective vocal piece “YOUYOUYOU”, which draws upon the vernacular custom of the “youyou” and “zagharit” – a shrill trill practiced by women in North- Africa, the “Middle East” et al.. Mark Andre’s (1964) latest ensemble piece “rwh. 1” closes the concert by embracing
the audience in a spatial setup. The Aramaen word “ruach” denotes a range of terms such as wind, air, breath, fragrance, intensity, and spirit, pointing at the genuinely spiritual world of Andre’s musical exegesis.

  • : »N°20/58 (2019)«
  • : »Two Pages (1968)«
  • : »Occam XXVII (2019)«

HEINER GOEBBELS
PHILIP GLASS
ÉLIANE RADIGUE
Erwan Keravec

https://www.berlinerfestspiele.de/de/berliner-festspiele/start.html

  • Haus der Berliner Festspiele
  • Schaperstr. 24, Berlin
  • Bemerkungen zum Ort: Berlin
  • Barrierefreiheit: Sehbehinderung und Blindheit / motorische Einschränkungen / kognitive Einschränkungen
  • Ticketpreis: 25 Euro