Wagemutige Blaskapelle aus Emir Kusturicas Film „Schwarze Katze, weißer Kater“ © IMAGO / United Arch
Di, 30/08/2022, 20:00 Uhr

Ensemble Modern: Arnulf Herrmann und Enno Poppe

Musikfest Berlin 2022

Acceleration and losing control are key aspects of Arnulf Herrmann’s “Hard Boiled Variations – 15 ½ Cycles”. This is summed up in an epigram prefacing the score from the American management consultant Tom Peters, which, quoting the racing driver Mario Andretti, states: “If things seem under control, you're just not going fast enough.” And, indeed, as a result of Herrmann’s “hardnosed” changes, this is a work in whose cycle of 15 ½ variations the duration of the running time is reduced from five minutes to three seconds and ultimately to a single chord: in other words, the shortest variation is over 100 times faster than the original theme. In the end, this process of continuous acceleration gives way to its opposite: “Movement freezes into an image, experience curdles into observation and time literally becomes space” (Herrmann). The Ensemble Modern has programmed this 40-minute work directed by the composer and conductor Enno Poppe, who also presents his own energetic big band piece “Körper”: “The big band is a set of instruments that suggests golden ages and corduroy trousers. But not only does it possess immense sonic potential, this has barely been exhausted because what we understand as big band music has been so narrowly defined.” Poppe also wrote “Körper” as a homage to the excellent Ensemble Modern, one of the most successful German new music groups, which has been touring internationally since 1980.

  • Arnulf Herrmann: »Hard Boiled Variations – 15 ½ Cycles« für Ensemble (2021)
  • Enno Poppe: »Körper« für großes Ensemble (2021)

Ensemble Modern

Enno Poppe, Leitung
Felix Dreher, Klangregie

Körper in Bewegung, von Null auf Hundert. Wer sich Arnulf Herrmanns „Hard Boiled Variations – 15 ½ Cycles” hingibt, erlebt eine rasante Beschleunigung bei gleichzeitig intendiertem Kontrollverlust. Ähnlich bewegt geht es in Enno Poppes „Körper“ zu.


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