Programm

10:30: Vor Ort: Ankunft und informeller Austausch

11:30: Begrüßung
durch Jeanine Meerapfel (Präsidentin der Akademie der Künste, Berlin) und die Veranstalter*innen Julia Gerlach (Sekretär der Sektion Musik der AdK), Thorbjørn Tønder Hansen (Künstlerischer Leiter Ultima Festival Oslo), Lisa Benjes (Leiterin field notes Programm der inm)

Part 1: Emancipating the Curatorial Process, Curating after Covid-19

11:45: Keynote “Multifaceted curating” (AT) Du Yun

(Professorin für Komposition am Peabody Institute of the Johns Hopkins University, Gastprofessorin am Shanghai Conservatory of Music, freie Kuratorin, USA)

12:45: Vor Ort: Kaffeepause
12:45: Online: Musik präsentiert von cdrk

13:00: Panel I: The Emancipation of Curating

Im ersten Panel werden Strategien zur Emanzipation kuratorischer Prozesses von gängigen Machtstrukturen diskutiert und partizipatorische, dialogische oder prozessorientiere Ansätze sowie kollektive und selbstorganisierte, automatische oder aleatorische Formen der Programmgestaltung erwägt. Im Zentrum steht die Frage, inwiefern Kurator*innen heute in der Verantwortung stehen, die für eine pluralistische Gesellschaft relevanten Themen in Programmen zu verhandeln. Außerdem wird zur Sprache kommen, wie regionale Kontexte die Perspektiven auf das Kuratieren verändern und ganz neue Vorgehensweisen und musikalische Schwerpunkte hervorbringen können, die das Verständnis von zeitgenössischer Musik selbst verschieben.

mit Stefanie Carp (Intendantin Ruhrtriennale), Artyom Kim (Künstlerischer Leiter Omnibus Ensemble, UZ), Sharif Sehnaoui (Ko-Gründer und künstlerischer Leiter des Irtijal Festival, RL), Du Yun
Moderation: Thorbjørn Tønder Hansen (Künstlerischer Leiter Ultima Festival Oslo)

14:15: Mittagspause

Part 2: Curatorial Profiles and Perspective

15:00: Keynote “Curating Musicking as a Mode of Wakefulness in Interesting Times”, Sandeep Bhagwati

(Komponist, Kurator, Professor an der Faculty of Fine Arts an der Concordia Universität Montreal, CA)

16:00: Vor Ort: Kaffeepause
16:00: Online: Musik präsentiert von cdrk

16:15: Panel II: Decolonizing the curating discourse in Europe

Es wird diskutiert, welchen Einfluss ein an Kolonial-, Musik- und Geistesgeschichte geschärfter Diskurs auf die kuratorische Praxis haben kann. Davon ausgehend wird erörtert, inwiefern Kultureinrichtungen neu gedacht und bis heute geltende Kanons hinterfragt werden müssen, um eine Neuausrichtung musikalischer Epistemologien zu ermöglichen und die gleichberechtigte Koexistenz von Musiktraditionen anzuerkennen.

mit Sandeep Bhagwati, George Lewis (Edwin H. Case Professor für amerikanische Musik an der Columbia University, USA), Elaine Mitchener (zeitgenössische Vokalistin, “movement artist and composer”, GB), Anothai Nitibhon (Vize-Präsidentin für Lehre und Forschung am Princess Galyani Vadhana Institute of Music und freie Kuratorin, T),
Moderation: Christos Carras (Executive Director at Onassis Cultural Centre – Athens, GR)

17:30: Vor Ort: Networking Moment – Spaziergang
17:30: Online: Networking Moment – ZOOM

18:00: Online: Musik präsentiert von cdrk

18:15: Panel III: Archives and Transcultural Composition. “Raubmusik” and Accessibility

Parallel zu Restitutionsdebatten der bildenden Kunst stellt sich auch in der Musik die Frage des Umgangs mit »Raubmusik«: Wie kann man sich für teils durch kulturmissionarische Prozesse marginalisierte oder bedrohte Musiktraditionen einsetzen? Unter welchen Umständen sind unsere Archive entstanden und wie kann sichergestellt werden, dass Archivalien in Hinblick auf ihren kolonialen Hintergrund ausreichend beleuchtet werden? Welche alternativen Formen des Archivs gibt es? Wem gehören die Archivalien und wer hat Zugang zu ihnen?


mit Carlos Gutierrez (Komponist, künstlerischer Leiter OEIN, Bolivien), Lars Christian Koch (Direktor der Sammlungen des Ethnologischen Museums und des Museums für Asiatische Kunst im Humboldt Forum, D), meLê yamomo (Assistenzprofessor für Theater, Performance, und Sound Studies an der University of Amsterdam, NL / RP / D), Tiago de Oliveira Pinto (UNESCO-Lehrstuhl für Transkulturelle Musikforschung, Hochschule für Musik Franz Liszt, D).
Moderation: Julia Gerlach (Sekretär der Sektion Musik der AdK)

19:30: Open Panel: Offener Austausch zu den Themen des Tages, Ausblick auf Fragestellungen im Mai 2021

ca. 20:00: Vor Ort: Informelles Picknick mit musikalischem

Sämtliche Beiträge werden audiovisuell aufgenommen und bleiben nachhaltig zugänglich auf: www.sounds-now.eu

Programm zum Download

Speakers

Anothai Nitibhon (Bangkok, Thailand) is an educator, composer and curator who bases her musical research on the idea of the intercultural and dialogues between cultures, through works of compositions, performances, sound installations and exhibitions. She has also hosted an annual International Symposium and ASEAN Youth Ensemble Project at PGVIM: both events focus on exploring the context in which Western and local musics can encourage dialogue while remaining connected to the people and their local value. After obtaining her PhD under the supervision of Prof. Nigel Osborne from the University of Edinburgh, Anothai became Chair of the Postgraduate Program at the Princess Galyani Vadhana Institute of Music (PGVIM) in Bangkok, Thailand. She still enjoys performing, creating and collaborating with artists from around the globe.

Artyom Kim (Tashkent, Uzbekistan) is a composer, conductor and theatre director. In 2004 he founded the Omnibus Ensemble – the first and only group in Central Asia, which is focused on promoting contemporary music. Collaborations with outstanding artists from Europe and America, created the Omnibus Ensemble’s reputation of a platform, where Innovation meets Tradition, and East meets West.

Carlos Gutiérrez Quiroga (La Paz, Bolivia) is a composer, researcher and the director of the Experimental Orchestra of Indigenous Instruments (OEIN). He is interested in exploring the influence of indigenous music on the integral processes of composition, acoustic technologies, interpretation and perception.

Du Yun (New York, USA), is a Chinese born composer, multi-instrumentalist, vocalist, performance artist, activist, and curator for new music. She won the 2017 Pulitzer Prize for Music for her opera Angel’s Bone. She was a 2018 Guggenheim Fellow. In 2019 she was nominated for a Grammy Award in the Best Classical Composition category for her work Air Glow.

Elaine Mitchener, born and raised in East London of Jamaican heritage, is a contemporary vocalist, movement artist and composer. She is founder of collective electroacoustic trio The Rolling Calf. Her sound works are held in a curated collection by George E Lewis at Darmstadt Festival, and also featured at Holland and Ruhrtriennale Festivals.

More on Elaine Mitchener here and here.

George E. Lewis (New York, USA) is Professor of American Music at Columbia University, is a Fellow of the American Academy of Arts and Sciences and the American Academy of Arts and Letters, a Corresponding Fellow of the British Academy, a MacArthur Fellow and a Guggenheim Fellow. Lewis’s compositions have been performed by ensembles worldwide, and he holds honorary doctorates from the University of Edinburgh, New College of Florida, and Harvard University.

Explore articles by George E. Lewis:

“Lifting the Cone of Silence From Black Composers,” New York Times, July 3, 2020

“A Small Act of Curation.” In “Curating Contemporary Music” edited by Lars Petter Hagen and Rob Young, 11-22. On Curating 44, January 2020

“Improvising Tomorrow’s Bodies: The Politics of Transduction.” E-misférica, Vol. 4.2, November 2007

Gittin’ to Know Y’all: Improvised Music, Interculturalism and the Racial Imagination. Critical Studies in Improvisation (peer-reviewed online journal), Vol. 1, No. 1, ISSN 1712-0624

Lars-Christian Koch (Berlin, Germany) is director of the Ethnological Museum and the Asian Art Museum Berlin, as well as director of Collections at the Humboldt Forum Berlin. He is Professor for Ethnomusicology at the University of Cologne and Honorary Professor for Ethnomusicology at the University of the Arts in Berlin. He has conducted field work in India, as well as in South Korea.

meLê yamomo is Assistant Professor of Performance Studies (University of Amsterdam, Netherlands), the author of Sounding Modernities, laureate of the »Veni Innovation Grant« for his project »Sonic Entanglements: Listening to Modernities in Southeast Asian Sound Recordings«, and resident artist at Theater Ballhaus Naunynstraße.

Explore articles by meLê yamomo:

Transregionale Forum Studien. “Echoing Europe – Postcolonial Reverberations”. Interview with meLê yamomo.

Van Outernational Online Magazine. Wie klingt Kolonialismus? meLê yamomo im Interview.

Textures-Online Platform for Interweaving Performance Cultures. “Sometimes you only have to listen…” About the sonic entanglements of our colonial past.

Sharif Sehnaoui (Beirut, Lebanon) is a guitarist who specialises in free improvisation. Together with Mazen Kerbaj, Sehnaoui co-founded Irijal, an experimental music festival that has taken place annually since 2001 in Beirut – the only one of its kind in the Arab world. In addition, he has initiated several experimental music CD labels under the umbrella of Al Maslakh records.

Stefanie Carp (Berlin, Germany) is a dramaturg and artistic director oft he Ruhrtriennale 2018, 19 and 20. She co-directed the Zürcher Schauspielhaus before becoming theatre director oft he Wiener Festwochen. She has also been visiting professor at the German Institute for Literature in Leipzig and chief dramaturg at the Volksbühne am Rosa-Luxemburg-Platz in Berlin.

More on Stefanie Carp here and here.

Tiago de Oliveira Pinto (Weimar, Germany) a native of São Paulo, Brazil, is Chair Holder on Transcultural Music Studies at the University of Music Franz Liszt, Weimar and Head of its joint Musicology Department with Friedrich Schiller University, Jena. Pinto has carried out musicological fieldwork in Brazil, Portugal, Turkey, South-East Asia, Mozambique, Tanzania, and South Africa. He has curated art and anthropological exhibitions, produced records and organised music festivals and cultural events.